This square wall sculpture presents a high-relief surface of densely packed, hand-modeled clay forms arranged in non-hierarchical clusters that evoke buds, seeds, and cellular structures. Flower Bomb (2026) constructs a compositional field where multiplicity and rhythm take precedence over centrality or symmetry. The surface is built from a multitude of soft, rounded units, each crafted in natural clay and pigmented individually, ranging from muted pastels to brighter chromatic accents. While the forms remain abstract, they collectively suggest a continuous process of organic expansion—a flowering that resists containment while remaining framed within strict spatial boundaries.